I want to say that I’m sharing. There is darling, and there’s unfortunate. The parts are needless, to say. I’ve encouraged them, also. Just falling over, just falling out of my chair. It is completely sudden and useless. I say things that I only mean in opposite moments. Like stigma, but with a better punchline. Always a certain point, and good is irrelevant. Good is irrelevant when the material can’t echo. Not knowing how to write them. Wanting to be inside the car with you, the window, a way of seeing out. Something besides myself, waiting.
Sunday, April 10, 2011
and Day Ten
early wooden shapes breathing,
something like combustion
pensive charting, notes about your fingers
muscles,
colors remembering
directions i would have taken
were i not shadowing you
and how to keep from ever getting there
bottom words, cartoonish filling up
with & full on how i can’t
ever
hear my isolation
without remembering
certain times of year, certain calendars
so random
aimless
whatever
i could never fit in with tumbleweeds
that put in me
people i forgot
places, burning & edged in teeth
the last way that i ever saw a man, smiling
& swinging movements, so deceitful
i never trusted back and forth
until opposites became
the only sentences
i could double check
having to stop exactly right, here
so as to
not let happiness overstay your boundaries
without letting go (letting go of origins), you
and the things we make up,
we are like buses
lots of them
in rows, no obvious movement
just similarities of what people assume about us
your face once more, too big
and a lot or a little bit
of never looking until
my address can match my name
Day Ten
in an effort to hold galaxies still
i would like to sort of
highlight
the difference between
perfect and so necessary
the things
that simulate rambling
the pitches different & accommodating
your body parts
not thinking there has
been something
not a recognition & faces
the kind that say things
to
grab onto
other ones
sooner, glances that
look precious, dueling,
constant secrets involving
collars & shapes
and not eating, partitioned mouths in little
sometimes revolving
habitats, breathing by location
rumbling and counting down
lists are good for
bending your head
getting patterns, snapshots
of the things
that parent other things you know
space without discernable speech
like habits, flat teeth,
certain parts of the body
& more important
processing the face into the sound
of the face
unless we can become smaller &
more like rocks
i don’t think
necessarily grey
but a lot of holding,
best described as folks knowing,
protection
maybe things living
under us, a little stuck
you and i, and all alike, superficial
for the sake of having something
that everyone can see
Friday, April 8, 2011
Day Eight
heir presumptive
of rectangles i say: bricks
hot suns spreading themselves thin
~
i kept notebooks filled with
my pretend importants: weights, lines i couldn’t step on,
the places i hid books, hoping the words wouldn’t haunt me at night
dirt, that could be wet but not necessary
futility, explanatory loveliness
i couldn’t stop, not for death
or porcelain filled trees,
how badly everything needs to be cleaned
~
i forgot how to say pallor, your pronoun
you, 2 and 3 years older than the oldest
person
i’ve ever caught scooping up
weeds and rock salt, trying to be
my clothes
your stillness, all the showing skin
not even enough to bathe in.
~
someday, my body parts will be so far away
from each other, they won’t know
where the other ones are.
Day Six (written, but not posted, on time)
i didn’t have the heart to
every time i open
begin the slow process
of staggering like the weather
so i took sharpies & i found people
living in their pockets
i was taking a break from good
crazy excited
for the tips of your hair, diving and rattling into
length,
for now
i was born institutional
along the lines of
what it would sound like
to swallow your ear.
sometimes
i can’t tell the difference
between
thinking and being quiet,
you, like daily bread
so big when i think about how you got here
Tuesday, April 5, 2011
Day Five
the best kind of foot to be
on pavement
is hush
going up trees
before
coming back down them
the way the Spanish lie down
before they sleep
there are trucks made
for becoming more like the underneath
of table clothes, and just like
the rest of us
mixing up the differences
between throat and sink
a good guess will represent body parts
like chest, legs, immaculate penmanship
all things worthy of being inside
paper cups,
labeled,
not to drink but for setting places
a good piece of advice
the next time your hand finds itself reaching
past birds and snow chains and bear traps,
things that palm readings resemble
the will to scoop hands into your lap,
to count yourself
by the number of umbrellas
you would carry down the street, were you
little
more than a handful
of paper towels
Monday, April 4, 2011
Day Four
for Maurice
one time i had horses
millions of them
until floating became something
small enough
to slip into people’s drinks,
my knees suddenly too weak
to be held onto,
too many foot noises
and my own wandering
grip
people are too lonely
and mountain like
to be neighbors
so many drinks hugging skin, slipping
me
beneath my seat
long hair is not even that pretty
just as
a poem needs to throw up
a little
sometimes,
we find out the accuracy
of liquids
I am no longer of identity,
better
than grasshoppers and ants
these things aren’t important,
but they’re enough to be
like sleeping again,
of the waking up
habits of birdlife,
suddenly, cold bathwater
and guns lying around,
i could maybe
shoot melting snow, running
water, dripping
icicles
if that ever happened,
i can go like this and
roll right onto you,
but i have a hard time
keeping the letters flat
around here,
words share the properties
of
poorly cut metal, misplaced napkins, water
more ice cubes than one breath could reach
and that’s life without kissing, anyway,
just my face
pushing up
against
your face
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